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Find out what inspires you and soak yourself in that. For me, going to concerts to see great players or bands inspires me to practice more. Listening to great singers inspired me to refine my vibrato and phrasing. Listening and studying the music of great classical composers inspired me to study music composition.

I wanted to write great music. Watching the movie Star Wars when I was a kid, reading Lord of the Rings, etc. inspired me as well. There are lots of non musical things that have been inspiring to me.

These are questions you should ask yourself. The two biggest practicing mistakes I have seen in students (besides not practicing enough) are: 1. Practicing is not goal orientated. 2. Not understanding the difference between playing one’s guitar and practicing one’s guitar. If you are having any difficulties with practicing, talk to your teacher about it. He/she should be able to help you.

You should be able to play all the techniques of the guitar. Van Halen did tapping but not with all his fingers as others have done. He didn’t play finger style much either, but we still regard him as an important guitarist, the same thing can be said for Vai and many others. Classical guitar master John William’s probably doesn’t play well with a guitar pick (I am assuming this to be true, I have no proof of it), but he is considered one of the greatest classical guitarists alive today.

You need to be totally self reliant. If this is not a normal part of your personality, fortunately there is help for you. Only you can stop yourself from procrastinating. Take the initiative now to go forward.

Chopin’s natural ability was his ability to improvise. He was the master, but he worked very hard to become the virtuoso pianist that he would later become. Chopin also was the master at small forms, but struggled with large scale forms.

There are many other things you could do, with just a small amount of time – use your imagination. Of course, keeping your guitar at the ready is essential. If you only have a few minutes, you don’t want to have to get it out of a case and tune it.

Now I know I have to work on something very fundamental. I have to work on the behavior of my third finger, and change the way it reacts to it’s neighbor being used, the second finger. If I can get down to the matter with that degree of specificity, that degree of clarity and focus, I am in a position to cause major Vertical Growth. If I can change the way that finger is behaving in that situation, I will see many playing problems I am having in other pieces of music begin to “melt”, and eventually disappear.

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