Archive for the ‘Television Reviews’ Category
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From the 2nd volume of the disturbing video series "Banned from Television", this is a clip that should serve as a life lesson to the "tough guys" in the world who would rip off their shirts in a "macho" way and run up onto someone else's porch and not consider the possibility that the guy might have a surprise waiting for you in the waistband of his shorts that isnt sexual. For some reason, I find it hard to sympathize with the victim much. Warning: this is VERY disturbing footage that was too graphic to make the news broadcasts (like all of the other footage in the "Banned" series), so viewer discretion is advised.
Duration : 1 min 56 sec
The Collegium – Forum & Television Program Berlin Arts Calendar SONGS Iver Kersten guitar/vocals Prof. Donald Muldrow Griffith vocals Production & Direction Fountainheadî Tanz Theatre
Duration : 5 min 6 sec
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Duration : 48 sec
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Duration : 30 sec
Climates: A dowdy university instructor Isa is an inattentive husband to his younger, TV-business wife Bahar. Self-absorbed and selfish, Isa only communicates in the most rudimentary way, while she, similarly, detaches into crying jags and juvenile behavior.
Marie Antoinette: “All eyes will be on you,” says the Austrian duchess, Maria Theresa to her youngest daughter Marie Antoinette. The film, marketed for a teen audience, is an impressionistic retelling of Marie’s life as a young queen in the opulent and eccentric court at Versailles. The film focuses on Marie Antoinette, as she matures from a teenage bride to a young woman and eventual queen of France.
Chronicle of Escape: In 1977, the goalkeeper of the Almagro team is illegally kidnapped from his home, arrested by the government forces and sent blindfolded to Sere Mansion, a clandestine detention center. His acquaintance, who had been tortured for a long period, had falsely accused Claudio of being a revolutionary. Along the months, Claudio is kept nude and handcuffed together with other prisoners and submitted to all sort of humiliations and tortures, until the night they decide to escape from their imprisonment in the old mansion.
Pan’s Labyrinth: In 1944 fascist Spain, a girl, fascinated with fairy-tales, is sent along with her pregnant mother to live with her new stepfather, a ruthless captain of the Spanish army. During the night, she meets a fairy who takes her to an old faun in the center of the labyrinth. He tells her she’s a princess, but must prove her royalty by surviving three gruesome tasks. If she fails, she will never prove herself to be the the true princess and will never see her real father, the king, again. Written by Tim
Friend of the Family: Geremia, an aging tailor/money lender, is a repulsive, mean, stingy man who lives alone in his shabby house with his scornful, bedridden mother. He has a morbid, obsessive relationship with money and he uses it to insinuate himself into other people’s affairs, pretending to be the “family friend”. One day he is asked by a man to lend him money for the wedding of Rosalba, his daughter. Geremia falls in love at first sight with the bewitching creature and and soon indulges in a “beauty and the beast” relationship.
South land Tales: South land Tales is an ensemble piece set in the futuristic landscape of Los Angeles on July 4, 2008, as it stands on the brink of social, economic and environmental disaster. Boxer Santaros is an action star who’s stricken with amnesia. His life intertwines with Krysta Now, an adult film star developing her own reality television project and a police officer who holds the key to a vast conspiracy.
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No Country for Old Men – In rural Texas, welder and hunter Llewelyn Moss discovers the remains of several drug runners who have all killed each other in an exchange gone violently wrong. Rather than report the discovery to the police, Moss decides to simply take the two million dollars present for himself. This puts the psychopathic killer, Anton Chigurh, on his trail as he dispassionately murders nearly every rival, bystander and even employer in his pursuit of his quarry and the money. As Moss desperately attempts to keep one step ahead, the blood from this hunt begins to flow behind him with relentlessly growing intensity as Chigurh closes in. Meanwhile, the laconic Sherrif Ed Tom Bell blithely oversees the investigation even as he struggles to face the sheer enormity of the crimes he is attempting to thwart.
A Londoni frfi – One night Maloin, a switch man at a seaside railway station situated by a ferry harbor, witnesses a terrible event. He is just watching the arrival of the last ferry at night from his control room on top of a high iron traverse from where he can see the whole bay. Suddenly he notices that the first of the disembarking passengers, a tall thin figure (a certain Brown as it will turn out later) leaves the harbor, but not on the usual route: after getting through customs, he goes around the dock and then withdraws into a dark corner, waiting. Opposite him, in front of the ship, another man soon appears and throws a suitcase towards the man on the shore. He goes and picks it up, then waits in an even darker corner for the other man to join him. When he arrives, however, they begin to quarrel and finally, in the course of the vehement fight, due to a hit that turns out to be fatal, the shorter one falls in the water and sinks, clutching the suitcase in his hand. Maloin is watching the scene, astonished. Finally, in a state of fear and shock, he opens the door of his control room, but the sharp and loud creaking sound disturbs and frightens away the murderer. Brown is forced to flee before being able to fish out the suitcase from the water. After the murderer disappears down one of the streets behind the harbor, Maloin cautiously climbs down from his cabin to the shore. When he realizes that there is nothing he can do for the victim, he dredges up the suitcase. He takes it up to his control room and opens it: it is packed with money. He is dazzled. He does not go either to call the police or fetch the murderer; he just stares at the pile of money. He simply cannot believe his eyes. Then, after meticulously drying and counting the banknotes, he hides the suitcase in his closet and locks it. At dawn, when his colleague arrives, he acts as if nothing had happened. He returns home on his usual route. Nevertheless, this path is not the same anymore.
Les chansons d’amour – Ismael (Louis Garrel, the Gallic version of the adorable young Hugh Grant), lives with Julie (Ludivine Sagnier). Alice (Clotilde Hesme), who works with Ismael, shares their bed and Alice’s affections. On a night of tragedy, Jeanne, unawares, hooks up with Gwendal (Yannick Renier), whose teen-aged brother Erwann (Gregoire Leprince-Ringuet) is the only one who can bring a shattered Ismael back to life, in the most romantic man-on-man love scene since Rupert Grave’s Alec Scudder climbed through Maurice’s bedroom window 20 years ago. With rain-slicked streets, coffee and cigarettes, references to a dozen French classics, a haunting score and the best balcony scene since “Romeo and Juliet,” this low-budget charmer, which has become a cult favorite in France with the under-25 set, is an “Umbrellas of Cherbourg” for the 21st Century.
Soom – This is the third film I have seen by Kim Ki-duk. Each one has been very different to the other, and I have loved them all. Address Unknown was bleak and emotionally challenging, Spring, Summer, Autumn, Winter… and Spring was beautifully poetic, while Breath is hard to describe. It has aspects of the earlier films – it’s visually poetic and bleak – but it’s very different to both most notably for its surreal/absurdist devices combined with very black humour (slightly reminiscent of some of the work of Ral Ruiz). Sparse dialogue makes for great intrigue as we attempt to make sense of the two main protagonists and what they have in common. One, a man on death row, the other a suburban mother who follows news of his exploits on the TV. To discuss how the story unfolds is to spoil the film if you haven’t watched it. However, the story is so elusive, that even with the details, much remains unexplained, adding to the mystique of the film. The prisoner does not speak during the film and the mother does not speak to her family; she is on screen for about twenty minutes before we hear a word uttered from her mouth.
Mogari no mori – The movie opened true to Kawase’s penchant for capturing moving air. Here, we see lush greenery on tree tops dancing to the motion of wind, and vast open fields where blades of grass sway back and forth when caressed by the breeze. It’s like watching a National Geographic episode of forests and greenery before the opening credits kicked in to start the film proper. I even suspected that M Night Shyamalan could have paid homage in his The Happening, which also had plenty of such shots put into it. The story tells of the relationship that formed between Shigeki (Shigeki Uda) and Machiko (Machiko Ono), the former an old man in an elderly home who has been aloof after the lost of his wife some 33 years ago. 33 years is an extremely long time, and to miss someone for that long, well, you know how strong his emotions are to his wife. On the other hand, Machiko is a staff at the same elderly home, but she too is grieving internally for the loss of her son, and her husband squarely puts the responsibility and blame on her petite shoulders.
Tehilim – Tehilim is a great film, no question about it. It is a minute of examination of the different ways in which characters react to a crisis. Though the film is small in scale it is nothing short of riveting. At the end you realize that, though the distance traveled is very small and enormous amount has happened. The lead actor, teen-aged Michael Moshonov, broods and lurks about the screen desperately searching for a focus for his anger at his vanished father. Truth seems to be Nadjari’s motivation and he focuses his lens on the minutia of his characters’ movements, revealing their inner struggles in a way reminiscent of Chekov. In a world overrun with films of artifice and manufactured drama it is so wonderful to discover a film that resists falsehoods and breathes truth.
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Fish Tank – Mia, a foul-mouthed,stroppy fifteen-year-old, lives on an Essex estate with her tarty mother,Joanne, and precocious little sister Tyler. She has been excluded from school and is awaiting admission to a referrals unit and spends her days aimlessly. She begins to develop an uneasy friendship with Joanne’s handsome, extrovert Irish boyfriend,Connor, who encourages her one interest, dancing, and eventually they have sex, after which he disappears from all their lives. When Mia tracks him down she finds that he has not been wholly honest with them and decides to take revenge, which almost ends in disaster. However, she does find consolation with Billy, a young traveller, after making up with her family.
Antichrist – A couple lose their young son when he falls out the window while they have sex in the other room. The mother’s grief consigns her to hospital, but her therapist husband brings her home intent on treating her depression himself. To confront her fears they go to stay at their remote cabin in the woods, “Eden”, where something untold happened the previous summer. Told in four chapters with a prologue and epilogue, the film details acts of lustful cruelty as the man and woman unfold the darker side of nature outside and within.
Inglourious Basterds – During World War II, Lt. Aldo Raine leads his squad of Jewish-American soldiers behind enemy lines in Nazi occupied France. Their job is simple: kill the enemy. They also have a particularly violent approach to what they do scalping their victims. Soon they are known and feared throughout the German army. In Paris, Shosanna runs a cinema and through a chance meeting with a German war hero, is selected to host the premiere of one of Dr. Josef Goebbels propaganda film. With all of the German high command scheduled to attend – including Hitler, Goering and Martin Bormann – it seems like the ideal opportunity for Lt. Raine and his men to bring the war to a quick end. Shosanna, who is Jewish and whose parents and siblings were killed before her eyes, also has her own plans for the evening’s festivities. When she realizes that the man who killed her family Colonel Hans Landa, known as the Jew Hunter, will also be there it makes her own plans complete.
Bright Star – London 1818: a secret love affair begins between 23 year-old English poet, John Keats (Ben Whishaw), and the girl next door, Fanny Brawne (Abbie Cornish), an out-spoken student of high fashion. This unlikely pair begin at odds, he thinking her a stylish minx, while she was unimpressed not only by his poetry but also by literature in general. However, when Fanny heard that Keats was nursing his seriously ill younger brother, her efforts to help touched Keats and when she asked him to teach her about poetry he agreed. The poetry soon became a romantic remedy that worked not only to sort their differences, but also to fuel an impassioned love affair.
Chun feng chen zui de ye wan – I attended the North American Premiere of “Spring Fever” at the 2009 Toronto International Film Festival. A co-production of Hong Kong and France, director Ye Lou’s “Spring Fever” is quite a unique film about a gay love triangle. There’s very little dialogue, which is a device I normally relish, but here it just drags out the already minimal action. The film is shot with all hand-held and shaky camera style, using lots of extreme closeups. It might not have been that hard to handle except that the picture itself was very dark at times so it was often difficult to even see what was taking place. I don’t know if it was the source print, digital transfer, or projection, but it made for a very disappointing experience.
Vincere – The powerful new film from acclaimed auteur Marco Bellocchio (My Mothers Smile, Good Morning, Night, The Wedding Director), VINCERE is a compelling drama based on the littleknown story of Benito Mussolinis first wife. Ida Dalsar (Giovanno Mezzogiorno) and Mussolini (Filippo Timi) begin their liaison in 1914; she is a well-to-do beauty salon owner and he is an impoverished young Socialist and union activist. When Ida sells all her possessions to fund her lover’s new newspaper, the rise of Fascism is set into play An official selection of the Cannes, Toronto and Telluride Film Festivals, VINCERE is a gripping film that combines drama, archive footage, and music creating a highly cinematic oratorio of enormous emotional force.
As a big time movie lover, Maddox Penner, and invites you to Download Movies For Free at the Movie Pan website where you will find all the latest hits and great oldies in one place.
Buying a television has always been a daunting experience, and that was when there were only LCD and Plasma’s to choose from. Now of course there is the LED television to consider. These new TVs are based on a LCD TV but the way they create a picture id different. Rather than using mercury to create an image, LED TVs have thousands of separate light emitting diodes (LED) that create the image. This article hopes to clear up some of the other confusions around buying a television, making the buying process as simple as possible for you.
What are the advantages of purchasing one?
The main advantage of a LED TV is the quality of picture that can be achieved. It’s possible to operate each of the LEDs individually so when they are not being used they can be completely turned off. This makes the colour black much deeper and sharper on LED TVs when compared to LCD’s and Plasma’s
The other main advantage of the LED screen is it’s size. LED lights take up far less space than the technology that powers LCD and plasma screens and as such it’s possible for a LED screen to be no more than 30mm deep. This in turn makes them look far more stylish than their rivals.
More Ecologically Friendly
LED Televisions consume a lot less energy than both a similar size LCD TV or Plasma TV and this is proving particularly popular with environmentally concious consumers. It is said that they use up to 70% less power which will reduce energy costs substantially and also reduce strain on the national grid.
Selecting the Best
When choosing which TV to purchase, the most important factors to consider are the space it has to fit in and your budget. This will be the two factors that have most influence over the model you buy. After you have decided, it’s often helpful to read LED televisions reviews to understand the pros and cons of the various models. This should mean that you get the TV that meets your needs and there are no hidden shocks when you get your TV home.
It’s never easy buying a LED TV. Make sure you visit this site for the very latest LED TV Reviews and news to help ensure you get a TV that matches your needs